shooting script

shot	Shot description	Audio and dialogue
1	The Very first shot is of a blank, dark screen	The dialogue is a conversation between therapist and Morris in an office, there may also be some white noise to distort viewer.
2	We then see several shots of random household objects to show disorientation	Possible white noise, the conversation between the two characters becomes blurred and hard to make out.
3	We then see a close up of Morris’s eyes after he’s been asked to remember what he has done in the past week to show that he is imagining it.	No dialogue, possibly some whooshing sounds and noises to show the transition.
4	Mid shot of him getting out of bed	No audio or dialogue
5	Over the shoulder shot of him walking out of the door	White noise in chunks to show lack of organisation in his life
6	Close up of his face as he walks out of his room	Possible white noise
7	Low angle shot as he walks into the bathroom	Sound of a creaking door

8	Over the shoulder shot of him entering the bathroom	Sound of the door and footsteps
9	Same over the shoulder shot, but from a longer distance of him looking into the mirror	No sound
10	Close up of the tap as water comes out	Sound of running water
11	High angle shot of character washing his face	Sound of running water
12	Revert back to the over the shoulder shot of character looking into the mirror	Water tap is turned off- hypereal sound
13	Swap to the other shoulder as he looks in the mirrored cupboard for some medication.	Sound of rifling through items in the cupboard, still no dialogue.
14	Revert back to the original over the shoulder shot as character realises that when he closes the mirror someone is standing behind him	Sound of the medication rattling and gasp of the character.
15	Camera moves with the character and jolts very quickly to where the other character was seen, but when it turns around fully there I nobody there	White noise or whooshing noise to create the air of disorientation.

16	Camera moves to a close up of the characters face when he is confused when there is nobody behind him	Sound of white noise suddenly stops to restore the state if equilibrium.
17	Camera then moves to a close up of the character taking the medicine with a glass of water.	Sound of the dripping tap.
18	Reverts back to the original over the shoulder shot to show Morris putting his medication back in the mirrored cupboard.	Sound of the Medication rattling, along with the dripping tap and closing of the cupboard.
19	When the cupboard closes we see the character in the gas mask behind Morris again	White noise returns but even louder
20	Camera jolts around very quickly to the view of the mysterious gas mask character	White noise is building up by this point.
21	Trumpet shot of the gas mask character as he tears up a photo of a girl	The noise has reached its loudest point by now
22	Shot becomes closer and closer of the photo he is tearing up	White noise is continuing
23	The shot cuts out very suddenly as it becomes closer and closer to the character.	The noise completely stops with the shot

24	Shot cuts out to the character walking in a field. Transition is very rapid to represent his loosening frame of mind,	The noise stops at the exact time the shot changes
25	Mid shot of the character walking very quickly through the field.	Natural noises
26	Rapid cuts from one point of view to another	White noise in patches
27	We see the character from one side then the other walking, shots swap very rapidly over and over	White noise continues on and off
28	Close up of characters face is seen very rapidly amidst all of the fast paced shots of him walking	White nose is becoming loud again
29	Mid shot of character as he stops and notices the girl from the picture	White noise has stopped, no sound
30	Long shot of the girl walking in front after Morris realises its her	Creeping noise as he realises what he has to do, violins.
31	Close up of Morris as he turns around to see his imaginary character.	White noise as the gas mask character makes an appearance

32	Long shot of the imaginary character standing in the trees pointing towards the girl to show he wants her dead	White noise is building up again
33	Shot slowly zooms in on character for eerie effect.	White noise, still no dialogue
34	Cuts to close up of Morris looking from the gas mask character then towards the girl	White noise is now even louder
35	The shot breaks away to the back of Morris as he starts heading for the girl at speed	White noise stops the second he starts walking
36	Long shots of him walking after the girl	Natural noises
37	Rapid different points of view shots of him edited very rapidly	Heavy breathing as he gets closer
38	Mid shot of him getting closer and closer	Breathing getting heavier and white noise building up
39	Shot editing slows down suddenly and we see a low angle shot of Morris carrying the dead girl in a body bag	All noise stops as the shot  changed, can only hear the dragging of the bag

                              

38	Continuous shot of him dragging the dead body getting further and further away	Dragging of the bag
39	Close up of the character as he is dragging the bag	Heavy breathing
40	Shot fades out and we see Morris back at home	No sound
41	We see an establishing shot of the room and Morris with his head in his hands on the floor
42	the shot becomes closer and closer until we can see his face clearly ashamed of what he’s done
43	After the shot has started to move away we see the alter ego character moving in behind Morris	White noise begins to build up again
44	After zooming out the shot moves in again as the gas mask character starts to wrap his hands around Morris	White noise starts to build up again
45	Shot cuts out rapidly to end the sequence, our last view is of the alter ego submerging Morris with his hands.	White noise cuts out at the exact moment the shot ends.